Actus Quartus. Scena Prima.
Enter Rosalind, and Celia, and Iaques.
Iaq. I prethee, pretty youth, let me better acquainted with thee
Ros They say you are a melancholly fellow
Iaq. I am so: I doe loue it better then laughing
Ros. Those that are in extremity of either, are abhominable fellowes, and betray themselues to euery moderne censure, worse then drunkards
Iaq. Why, 'tis good to be sad and say nothing
Ros. Why then 'tis good to be a poste
Iaq. I haue neither the Schollers melancholy, which is emulation: nor the Musitians, which is fantasticall; nor the Courtiers, which is proud: nor the Souldiers, which is ambitious: nor the Lawiers, which is politick: nor the Ladies, which is nice: nor the Louers, which is all these: but it is a melancholy of mine owne, compounded of many simples, extracted from many obiects, and indeed the sundrie contemplation of my trauells, in which by often rumination, wraps me in a most humorous sadnesse
Ros. A Traueller: by my faith you haue great reason to be sad: I feare you haue sold your owne Lands, to see other mens; then to haue seene much, and to haue nothing, is to haue rich eyes and poore hands
Iaq. Yes, I haue gain'd my experience. Enter Orlando.
Ros. And your experience makes you sad: I had rather haue a foole to make me merrie, then experience to make me sad, and to trauaile for it too
Orl. Good day, and happinesse, deere Rosalind
Iaq. Nay then God buy you, and you talke in blanke verse
Ros. Farewell Mounsieur Trauellor: looke you lispe, and weare strange suites; disable all the benefits of your owne Countrie: be out of loue with your natiuitie, and almost chide God for making you that countenance you are; or I will scarce thinke you haue swam in a Gundello. Why how now Orlando, where haue you bin all this while? you a louer? and you serue me such another tricke, neuer come in my sight more
Orl. My faire Rosalind, I come within an houre of my promise
Ros. Breake an houres promise in loue? hee that will diuide a minute into a thousand parts, and breake but a part of the thousand part of a minute in the affairs of loue, it may be said of him that Cupid hath clapt him oth' shoulder, but Ile warrant him heart hole
Orl. Pardon me deere Rosalind
Ros. Nay, and you be so tardie, come no more in my sight, I had as liefe be woo'd of a Snaile
Orl. Of a Snaile? Ros. I, of a Snaile: for though he comes slowly, hee carries his house on his head; a better ioyncture I thinke then you make a woman: besides, he brings his destinie with him
Orl. What's that? Ros. Why hornes: w such as you are faine to be beholding to your wiues for: but he comes armed in his fortune, and preuents the slander of his wife
Orl. Vertue is no horne-maker: and my Rosalind is vertuous
Ros. And I am your Rosalind
Cel. It pleases him to call you so: but he hath a Rosalind of a better leere then you
Ros. Come, wooe me, wooe mee: for now I am in a holy-day humor, and like enough to consent: What would you say to me now, and I were your verie, verie Rosalind? Orl. I would kisse before I spoke
Ros. Nay, you were better speake first, and when you were grauel'd, for lacke of matter, you might take occasion to kisse: verie good Orators when they are out, they will spit, and for louers, lacking (God warne vs) matter, the cleanliest shift is to kisse